simgelerle ifade etme (ruh hali)

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{i} symbolism
Representation of a concept through symbols or underlying meanings of objects or qualities
The act of symbolizing, or the state of being symbolized; as, symbolism in Christian art is the representation of truth, virtues, vices, etc
You can refer to the symbolism of an event or action when it seems to show something important about a situation. The symbolism of every gesture will be of vital importance during the short state visit. the use of symbols to represent ideas or qualities. In art, a loosely organized movement that flourished in the 1880s and '90s and was closely related to the Symbolist movement in literature. In reaction against both Realism and Impressionism, Symbolist painters stressed art's subjective, symbolic, and decorative functions and turned to the mystical and occult in an attempt to evoke subjective states of mind by visual means. Though aspects of Symbolism appear in the work of Paul Gauguin, Vincent van Gogh, and the Nabis, its leading exponents were Gustave Moreau, Odilon Redon, and Pierre Puvis de Chavannes. Though associated primarily with France, it flourished all over Europe, had great international impact, and influenced 20th-century art and literature
A style of writing in which characters, situations and settings express more than they represent
when an object/person stands for itself and something other than itself
It began in the 1880s as a reaction to romanticism and the realistic approach of Impressionism, serving as a catalyst to abstraction Painters within this movement include Paul Gauguin and Émile Bernard
{i} expression of an idea by means of symbols (as in art, literature, etc.); system of symbols; symbolic meaning; (in Christianity) use of any specific special identification images or marks to signify a religious message or divine being (such as the bread and wine used in the Eucharist are symbols and not literally the flesh and blood of Jesus (in Christianity)
a system of symbols and symbolic representations
the use of an object, person, or action which is significant beyond the apparent in an attempt to add complexity
A system of symbols or representations
A movement between 1885-1910 in which European artists and writers emphasized the use of symbols
A late 19th century movement reacting against realism Influenced by the connections between music and poetry, it sought to achieve the effects of images and metaphors to symbolize the basic idea or emotion of each poem (Compare Classicism, Idealism, Imagism, Impressionism, Metaphysical, Objectivism, Romanticism)
the practice of investing things with symbolic meaning
by emblematic colors, signs, and forms
A movement in literature and the visual arts that was occupied with a symbolic or spiritual world beyond appearances It emphasized interior states, fantasy, dreams, the erotic, the exotic, and the occult
When one thing stands for another A symbol evokes an object that suggests the meaning A metaphor evokes an object in order to illustrate an idea or demonstrate a quality, whereas a symbol embodies the idea or the quality Symbols often embody universal suggestions of meaning, as flowing water suggests time and eternity, a voyage suggests life, spring suggests birth or rebirth (note that Easter occurs in the spring) A forest might symbolize danger or uncertainty (think of "Little Red Riding Hood") However, sometimes it will symbolize safety Names also assume symbolic importance
Developed in the late 19th century, symbolism is an art movement characterized by the representation of the inner life of people through spiritual or mystical symbols and ideas It began as a rejection of the purely visual realism of the Impressionists, and the rationality of the Industrial Age, in order to depict the symbols of ideas, Traditionally modeled pictorial depictions are replaced or contrasted by flat mosaic-like surfaces decoratively embellished with figures and design elements
The practice of using symbols, or the system of notation developed thereby
As part of a general European movement in the latter part of the 19th century, it was closely allied with Symbolism in literature It marked a turning away from painting by observation to transforming fact into a symbol of inner experience Gauguin was an early practitioner
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