A Classical comic actor, especially one who works mainly through gesture and mime
A traditional theatrical entertainment, originally based on the commedia dell'arte, but later aimed mostly at children and involving physical comedy, topical jokes, and fairy-tale plots
The drama in ancient Greece and Rome featuring such performers; or (later) any of various kinds of performance modelled on such work
One who acts his part by gesticulation or dumb show only, without speaking; a pantomimist
A dramatic representation by actors who use only dumb show; hence, dumb show, generally
act out without words but with gestures and bodily movements only; "The acting students mimed eating an apple"
If you say that a situation or a person's behaviour is a pantomime, you mean that it is silly or exaggerated and that there is something false about it. They were made welcome with the usual pantomime of exaggerated smiles and gestures = farce
A situation where a performer relies totally on gesture, facial expression, and movement, rather than speech, for enactment of his material
Dramatic performance in which a story is told solely by expressive body movement. Mime appeared in Greece in the 5th century BC as a comic entertainment that stressed mimetic action but included song and spoken dialogue. A separate Roman form developed from 100 BC and centred on crude and licentious subjects. Roman pantomime differed from Roman mime by its loftier themes and its use of masks, which called for expression through posture and hand gestures. Mime was also important in Asian drama from ancient times, and it is an element in major Chinese and Japanese dramatic forms (e.g., n theatre). The Roman tradition of pantomime was modified in the 16th-century commedia dell'arte, which in turn influenced the 18th-century French and English comic interludes that developed into 19th-century pantomime, a children's entertainment emphasizing spectacle. Modern Western mime developed into a purely silent art in which meanings are conveyed through gesture, movement, and expression. Famous mimes include Jean-Gaspard Deburau, Étienne Decroux (who developed a systematic language of gesture), and Marcel Marceau. Charlie Chaplin was an accomplished mime, as were Sid Caesar and the circus clown Emmett Kelly