greco-

Английский Язык - Турецкий язык

Определение greco- в Английский Язык Турецкий язык словарь
grecospan>: yunan
grecospan> roman: grekoromen
Grecospan>: Grek yâni 'eski Yunana ait olan' anlamı katan on ek

Английский Язык - Английский Язык

Определение greco- в Английский Язык Английский Язык словарь: The combining form of the adjective Greek
Greco-Roman wrestling is an Olympic sport bringing back the style of the Ancient Greeks and Roman physicality.; Greece; Greek: Greco-Roman. ancient Greek and something else
Grecospan>-Buddhism: The cultural syncretism between Hellenistic culture and Buddhism
Grecospan>-Roman: Describing Greco-Roman wrestling, a form of wrestling where fighters may only attack above the waist
Grecospan>-Roman: Of or pertaining to Greek or Roman culture
Grecospan>-Roman: {s} of or pertaining to both Greek and Roman, pertaining to or characteristic of both ancient Greece and ancient Rome; of or relating to a wrestling hold that does not allow hold below the waist and no use of the legs to achieve a fall
Grecospan>-Roman wrestling: Style of wrestling that prohibits the legs from being used to obtain a fall and in which no holds may be taken below the waist. It originated in France in the early 19th century in imitation of Classical Greek and Roman representations of the sport. It eventually came to be favoured by most other countries and was, until the acceptance of freestyle wrestling in the late 20th century, the style practiced exclusively in Olympic and international amateur competition
Grecospan>-Turkish Wars: (1897, 1921-22) Two military conflicts between the Greeks and the Turks. The first, or Thirty Days' War, took place after an 1896 rebellion on Turkish-ruled Crete between Christian residents and their Muslim rulers. Greek troops occupied the island in 1897. The European powers imposed a blockade to prevent assistance to the island. Unable to reach Crete, the Greeks sent a force to attack the Turks in Thessaly, but it was overwhelmed by the superior Turkish army. Though a peace treaty forced the Greeks to withdraw, Turkish troops also left Crete, which had been made an international protectorate and was later (1913) ceded to Greece. The second war occurred after World War I, when the Greeks attempted to claim territories assigned to them by the Treaty of Sèvres (1920). In 1921 the Greek army launched an offensive in Anatolia against nationalist Turks who would not recognize the treaty. The Greek forces were driven out by Mustafa Kemal Ataturk, and the Treaty of Lausanne (1923) returned the disputed territories to Turkey
grecospan>-roman: Decorative style reminiscent of late Classical antiquity Became popular in the 18th Century due to the excavations of Herculaneum and Pompeii, and formed the basis for 18th Century revivals
grecospan>-roman: an international style of wrestling in which the legs cannot be attacked, nor used for offense This places a great emphasis on throws
grecospan>-roman: characteristic of the ancient Greek and Roman cultures
grecospan>-roman deity: a deity of classical mythology
Grecospan>: (also Greaco, combining form) Greek
Constanzo José Grecospan>: {i} José Greco (1918-2000), United States flamenco dancer and choreographer who was born in Italy
El Grecospan>: {i} (1541-1614) Greek-born Spanish painter of religious subjects, painter of the "Assumption
El Grecospan>: a Spanish artist famous for his religious paintings. He was called El Greco, which means 'the Greek', because he was born in Crete (1541-1614). El Greco. orig. Doménikos Theotokópoulos born 1541, Candia, Crete died April 7, 1614, Toledo, Spain Cretan-born Spanish painter, the first great master of Spanish painting. Documentation on his early life is limited, but it is known that he was in Venice 1566-70 and may have studied in Titian's workshop. In 1572 he was a member of the guild of St. Luke in Rome. His first commission in Spain (1577) was for altarpieces for the church of Santo Domingo el Antiguo in Toledo (1577-79); the paintings for the high altar show the influence of Titian and Michelangelo. In these works he developed his signature style: he chose a method of space elimination that is common to middle and late 16th-century Italian painters known as Mannerists. The elogonated figures in these works were also characteristic of his oeuvre. El Greco's Mannerist method of composition is nowhere more clearly expressed than in his masterpiece, The Burial of the Count de Orgaz (1586-88), where all of the action takes place in the frontal plane. From 1590 until his death his output was prodigious. His major commissions included the complete altar composition for the Hospital de la Caridad at Illescas (1603-05), for which he also worked as architect and sculptor. He excelled as a portraitist. His workshop produced many replicas of his works, but his style was so individual that his only followers were his son and a few forgotten imitators
Grecospan>: {i} family name; El Greco (1541-1614), Greek-born Spanish painter of religious subjects, painter of the "Assumption"; José Greco (1918-2000), United States flamenco dancer and choreographer who was born in Italy
Grecospan>: pref. Greco El Greco Roman wrestling Greco Turkish Wars Greco Persian Wars
José Grecospan>: {i} Constanzo José Greco (1918-2000), United States flamenco dancer and choreographer who was born in Italy
el grecospan>: Spanish painter (born in Greece) remembered for his religious works characterized by elongated human forms and dramatic use of color (1541-1614)
grecospan>: Spanish painter (born in Greece) remembered for his religious works characterized by elongated human forms and dramatic use of color (1541-1614)
grecospan>: pref. Greek; of Greece