On a wooden pub sign daringly taken, one daylight raid, by a drunken Bartley Gobbitch, across which still survives in intaglio the legend SNIPE AND SHAFT, Teddy Bloat is mincing bananas with a great isosceles knife.
A stage in the note printing process where black ink is transferred to the sheet of notes Ink is applied to the metal plates and then wiped clear, remaining only in the incuse design Under high pressure, the ink is transferred to the paper stock leaving a slightly raised design
{i} carving which has been cut into a surface; process or art of engraving into a hard surface; something decorated with an incised carving (i.e. precious stone)
Intaglio printing is printing below the surface of an incised or etched metal plate using a variety of techniques and tools Ink is applied to the recessed areas of the printing plate by a dabber The excess ink is scraped off with a squeegee and the surface wiped clean with a tarletan For intaglio printing, the paper is dampened so that under pressure, it will be squeezed into all the inked recesses of the plate Engraving, etching, drypoint, mezzotint, photogravure, photoetching, aquatint, and collagraph are intaglio techniques
Italian for "in recess '' A form of printing in which the inked image is produced by that portion of the plate sunk below the surface Line engraving and gravure are forms of intaglio printing
A general term covering etching and related printing techniques such as engraving and drypoint in which the ink that yields the image is held by recessed lines incised into a matrix (plate)
(Italian for "cut in") a method of printing in which the image is carved into a flat surface, usually copper, so that the areas to be inked are recessed beneath the surface of the printing plate Damp paper is placed on the plate and run through a press under great pressure forcing the paper into the engraved areas and thus transferring the image The main intaglio processes are
A category of printmaking in which an image is incised or etched into a metal plate Ink is then applied to these incised or etched areas beneath the plate's surface When pressed against dampened paper, the inked plate produces an image in reverse Because most plates are smaller than the paper size, a plate mark is often left in the paper Aquatint, etching, engraving and drypoint all fall into the Intaglio category
A cutting or engraving; a figure cut into something, as a gem, so as to make a design depressed below the surface of the material; hence, anything so carved or impressed, as a gem, matrix, etc
a method of printing from an engraved metal plate - under high pressure from the press the paper is forced to accept ink from the engraved incisions in the plate rather than from the relief surface
The image is created from a metal plate which holds the ink in areas lowered below the level of the original surface Three types of intaglio (others include drypoint, aquatint, soft-ground, etc ) are
One of the four major classes of printmaking After a metal plate has been incised, ink is dabbed into the lines, the surface is cleaned by wiping, and dampened paper is placed onto the plate The two are passed through a roller press, which lifts the ink up onto the paper Engraving, etching, aquatint, stipple, drypoint, and photogravure are forms of intaglio prints Intaglio is sometimes called copperplate
intaglios the art of cutting patterns into a hard substance, or the pattern that you get by doing this. Engraved or incised work on gemstones, glass, ceramics, stone, or similar material in which the design is sunk beneath the surface, the opposite of cameo and relief. It is the most ancient form of gem engraving; the earliest known Babylonian cylinder seals date from 4000 BC. The term intaglio is also used to describe printmaking processes in which the design is cut, scratched, or etched into a printing surface of copper, zinc, or aluminum; ink is then rubbed into the incisions or grooves, the surface is wiped clean, and the paper is embossed into the incised lines with pressure from a roller press. Intaglio processes are the most versatile of printmaking methods, as they can produce a wide range of effects
A method of engraving whereby the ornamentation is cut into the object and lies below the surface plane The German name for this technique is Tiefschnitt
An intaglio print is one whose image is printed from a recessed design incised or etched into the surface of a plate In this type of print the ink lies below the surface of the plate and is transferred to the paper under pressure The printed lines of an intaglio print stand in relief on the paper Intaglio prints have platemarks
An Italian word for indentation, to cut or insise After the image is cut into the plate, it is covered with a greasy printer's ink and carefully pushed into the lines and textures, then wiped clean so that the ink remaines only in the insised design A sheet of moistened paper is placed over the plate and then run through a press between rollers transfering the image to the paper Areas of the plate that have been masked out during this process are still the original smooth metal and will hold no ink; these are the white areas in the finished print The great pressure required to pick up the ink in the intaglio printing leaves a visableplate mark within the pressed paper
The general term for a print in which the image is either cut or bitten by acid into a metal plate Ink is forced into this cut or bitten image, the surface of the plate is wiped clean, and a print is made when the plate and paper are run together under pressure through an etching press top
An incised, etched, carved or sunken image In printing, an intaglio is created on the surface of plates or cylinders The etched areas hold ink, the non-etched areas remain ink free When the inked plate or cylinder is then applied to the substrate to be printed, the ink adheres and is transferred to the substrate reproducing the original image
a printing process that uses an etched or engraved plate; the plate is smeared with ink and wiped clean, then the ink left in the recesses makes the print
In an intaglio print, the image is printed from lines or textures scratched or etched into a metal plate, such as in engraving and etching The plate is rolled with ink, then the raised surface is wiped clean, leaving ink in the incised lines The artist transfers the image from the plate onto a piece of paper
A design carved down into a gemstone, unlike a cameo in which the design is raised from it's background, in relief This technique was often used for seals, which made an impression in wax used to seal a letter or authenticate a document It is also common on watch fobs, since the watch fob was originally a good place to carry a seal Once seals fell out of use, the intaglio tended to face out to the viewer rather than down as on a seal Some of the most commonly found Victorian intaglios are carved in Carnelian, an orange-brown variety of quartz
is the Italian word for indentation, to cut or to incise After the image is cut into the plate, it is covered with a greasy printer's ink and carefully wiped clean so that the ink remains only in the incised design A sheet of moistened paper is placed over the plate and then run through a press between rollers transferring the image to the paper Areas of the plate that have been masked out during this process are still the original smooth metal and will hold no ink; these are the white areas in the finished print The great pressure required to pick up the ink in the intaglio printing leaves a visible plate mark within the margin of the uncompressed paper
Intaglio is the catch-all term for several recessed printing methods such as etching, engraving, aquatint and drypoint The recessed lines hold the ink while the smooth plate surface is wiped clean It is common to see an embossed plate line on the edge of an image
The name is derived from the Italian tagliare, meaning "to carve " Intaglio is also referred to as cavo relievo (reverse relief) Intaglio involves engraving or etching on a zinc or copper plate, by means of incising a drawing out of the surface, and thus creating a kind of relief in reverse The matrix/plate is inked, and then rubbed clean so that the only ink remaining is that in the furrows carved by the etching process A dampened paper is laid on the plate, and the two are rolled through a heavy press The paper is forced into the recessed design, and so the drawing is transferred Etching, aquatint, and mezzotint are intaglio methods