pottery

İngilizce - Türkçe

pottery teriminin İngilizce Türkçe sözlükte anlamı

{i} çanak çömlek

{i} çömlekçilik

Cumartesi geçen yıldan beri devam ettiğim çömlekçilik dersidir. - Saturday is the pottery class I've been attending since last year.

Tom çömlekçilik hakkında çok şey bilmiyor. - Tom doesn't know much about pottery.

çanak çömlek/çömlekçilik

{i} çömlek atölyesi

{i} çömlek imalathanesi

{i} toprak kaplar

earthenware, pottery, crockery

toprak, çanak çömlek, çanak çömlek

İngilizce - İngilizce

pottery teriminin İngilizce İngilizce sözlükte anlamı: A potter's (work)shop, where pottery is made
I visited the old potteries and saw the pots being made.; The potter's craft or art: making vessels from clay
Bernard Leach was skilled at pottery.; Fired ceramic wares that contain clay when formed
The shelves were lined with pottery of all shapes and sizes.; {n} the works or business of a potter; a term loosely applied to all objects (wares) made of fired clay It includes factory-produced dinnerware as well as artistically reinterpreted industrial forms, sculpture, and hand-produced utilitarian/functional ware As its root "pot" suggests, it is mainly applied to containers/vessels; the craft of making pots from clay; > See 'earthenware'; Objects, and especially vessels, which are made from fired clay It represents the various articles made of fired clay; Can be used as a generic term the same as ceramics Then referring to a specific ware, pottery refers to a very durable form of clayware made of crude clay and fired at comparatively low temperature It lends itself best to colourful, informal decoration and simple shapes; The term refers to the various articles made of fired clay; All pottery is simply made from fired clay - but with the addition of temper to make the fabric more resistant to heat shock as well as stronger For unglazed pottery a high enough temperature may be reached in a bonfire, but a kiln will decrease breakage due to uneven firing and also allow control of colour by restricting the amount of oxygen reaching the pottery; [n] a factory that makes clay pottery; Ware made of clay and fired in a ceramic kiln; ceramic ware made from clay and baked in a kiln; {i} art of working with clay; vessels made of ceramic; potter's workshop; all fired ceramic wares that contain clay when formed; Pottery is the craft or activity of making objects out of clay; The place where earthen vessels are made; a generic term for clay objects; You can use pottery to refer to the hard clay that some pots, dishes, and other objects are made of. Some bowls were made of pottery and wood; or Steingut - a rather imprecise term for a usually light-colored porous ceramic with a hardness dependent upon the temperature of the firing, from 960°C (1800°F) to 1300°C (2350°F); generally used to include all tan-colored ceramic materials; the craft of making earthenware; Ceramic ware, especially earthenware and stoneware; a workshop where clayware is made; You can use pottery to refer to pots, dishes, and other objects which are made from clay and then baked in an oven until they are hard; The vessels or ware made by potters; earthenware, glazed and baked; can be used as a generic term the same as ceramics When referring to a specific ware, pottery refers to a very durable form of clayware made of crude clay and fired at comparatively low temperatures It lends itself best to colorful, informal decoration and simple shades; a workshop where pottery is made; Although this term is usually used interchangeably with ceramics, it more precisely refers to ceramic objects that have a container shape, such as pots, planters, and tureens It also can be used to refer to factories that produce pottery pieces See also ceramics; A pottery is a factory or other place where pottery is made. One of the oldest and most widespread of the decorative arts, consisting of objects (mostly useful ones, such as vessels, plates, and bowls) made of clay and hardened with heat. Earthenware is the oldest and simplest form; stoneware is fired at a high temperature to cause it to vitrify and harden; and porcelain is a fine, generally translucent form of pottery. The Chinese began their sophisticated production of pottery in the Neolithic period and produced porcelain as early as the 7th century AD. Chinese porcelain, or "china," was widely exported to Europe and had a profound influence on European manufacturers and on taste. Classical Greece and Islamic cultures are also known for their artistic and technical innovations in pottery. black figure pottery Greek pottery Pueblo pottery red figure pottery; – Earthenware or clayware pots, dishes, or vases These cups, bowls, and other dishes or objects were made from clay and hardened by heat; the craft of making earthenware ceramic ware made from clay and baked in a kiln a workshop where clayware is made; Earthenware as distinguished on the one hand from porcelain and stoneware and on the other from brick and tile
pottery wheel: In pottery, a potter's wheel is a machine used in the shaping of round ceramic wares. The wheel may also be used during the process of trimming excess body from dried wares and for applying incised decoration or rings of colour. Use of the potter's wheel became widespread throughout the Old World, but was unknown in the Pre-Columbian New World, where pottery was hand-made by methods that included coiling and beating
Potteries: An area in the West Midlands of England based around Stoke-On-Trent. Considered to be the main centre of the pottery industry
Greek pottery: Pottery made in ancient Greece. Its painted decoration has become the primary source of information about the development of Greek pictorial art. It was made in a variety of sizes and shapes, according to its intended use; large vessels were used for storage and transportation of liquids (wine, olive oil, water), smaller pots for perfumes and unguents. The earliest style, known as the Geometric style ( 1000-700 BC), features geometric patterns and, eventually, narrative scenes with stylized figures. From the late 8th to the early 7th century BC, a growing Eastern influence resulted in the "Orientalizing" of motifs (e.g., sphinx, griffin), notably in pieces made in Corinth ( 700 BC), where the painters developed black-figure pottery. Athenians adopted the black-figure style and from 600 BC on became the dominant manufacturers of Greek pottery. They invented red-figure pottery 530 BC. By the 4th century BC the figured decoration of pottery had declined, and by the end of the century it had died out in Athens
Potteries: An area in the West Midlands of England based around Stoke-On-Trent. Considered to be the main center of the pottery industry
Potteries: a part of Staffordshire in the Midlands of England which is a centre for the china and pottery industry
Potteries: {i} district in west central England (the center for the manufacture of china and earthenware since the 16th century)
Pueblo pottery: One of the most highly developed of the Native American arts. Pueblo pots, made only by women of the tribe, are constructed of long "sausages" of clay that are coiled upward and then smoothed out. Designs include geometric, floral, and animal patterns. The method was developed during the Classical Pueblo period ( 1050-1300) and is still being used today
black-figure pottery: Type of Greek pottery that originated in Corinth 700 BC. The figures were painted in black pigment on the natural red clay ground. Finishing details were then incised into the black pigment, revealing the red ground. The great Attic painters (mid 6th century BC), most notably Exekias, developed narrative scene decoration and perfected the style. It continued to be popular until the advent of red-figure pottery ( 530 BC)
potteries: plural of pottery
red-figure pottery: Type of Greek pottery that flourished from the late 6th to the late 4th century BC. Developed in Athens 530 BC, the red-figure pottery quickly overtook the older black-figure pottery as the preferred style of vase painting. In red-figure technique, the background was painted black, and the outline details on the figures were also painted (rather than incised) in black, but the rest of each figure was unpainted and so retained the orange-red colour of the natural vase. By comparison with incising, the painting of the details allowed more flexibility in rendering human form, movements, expressions, and perspective. Since most of the ornamentation was narrative, such technical advantages were of utmost importance