An orchestral composition that introduces an opera, oratorio or similar work, and usually includes music that alludes to what is to follow A concert overture, however, stands on its own and is not part of an opera or other work
You probably know opera and ballet, if you dont' keep reading Well, so there is this opening music before they show starts, which makes you into the mood, after this music is played you the curtin will open ShowMeSome: Zampa Overture
A kind of instrumental genre, performed by a full orchestra Originally overtures were the instrumental introductions to operas, plays, or ballets, but later became popular when played in the concert halls By the romantic era, overtures were sometimes composed as independent pieces, not connected to any kind of theater Overtures are usually fast in tempo and include just one movement
If you make overtures to someone, you behave in a friendly or romantic way towards them. He had lately begun to make clumsy yet endearing overtures of friendship. Musical introduction to a larger, often dramatic, work. Originating with Claudio Monteverdi's Orfeo (1607), overtures served as openings for operas. The large-scale two-or three-part "French overture" invented by Jean-Baptiste Lully (1658) for his operas and ballets was widely imitated for a century. The sinfonia, the standard Italian overture form in the late 17th and 18th centuries, was a principal precursor of the three-part sonata form and thus provided the model for the earliest symphonies, which consisted of three movements. In the 19th century, overtures independent of any larger work usually illustrated a literary or historical theme (see symphonic poem). Overtures to operettas and musicals have traditionally been medleys of their themes
a tentative suggestion designed to elicit the reactions of others; "she rejected his advances"
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originally meant as an orchestral introduction to an opera or other vocal work In 19th, 20th century romantic music means a dramatic , independent concert performance
orchestral music played at the beginning of an opera or oratorio a tentative suggestion designed to elicit the reactions of others; "she rejected his advances