A print made from a wood block The design is drawn on a smooth block of wood and then cut out, leaving the design standing up in relief the design to be printed The person who carved the woodcut often worked to a design by another artist
A style of illustration in which lines of varying thickness are cut in relief on plank-grain wood for the purpose of making prints The same effect can be achieved digitally in a drawing program
a picture made by pressing a shaped piece of wood and a colouring substance onto paper. Design printed from a plank of wood incised parallel to the vertical axis of the wood's grain. One of the oldest methods of making prints, it was used in China to decorate textiles from the 5th century. Printing from wood blocks on textiles was known in Europe from the early 14th century but developed little until paper began to be manufactured in France and Germany at the end of the 14th century. In the early 15th century, religious images and playing cards were first made from wood blocks. Black-line woodcut reached its greatest perfection in the 16th century with Albrecht Dürer and his followers. In the late 19th and early 20th centuries, artists such as Edvard Munch, Paul Gauguin, and the German Expressionists rediscovered the expressive potential of woodcuts. Woodcuts have played an important role in the history of Japanese art (see ukiyo-e)
This is the most ancient of the printmaking processes, known to the Chinese from the 8th century The design is drawn onto a smooth hard well-seasoned wood 'V' shaped or 'U' shaped gouges are used to carve away the wood from the outline The wood in the unwanted areas is also removed T he wood is then inked and it takes on the ink on the relief or raised portion When the wood block is pressed onto a paper, the image gets transferred on it Artists often make use of the subtle textures, or the grains present on the wood block
One of the earliest forms of printmaking, in which the design is carved in wood, with the areas not to be printed being cut away The block is then inked and paper is pressed down on the woodblock Colors can be added by using different blocks, or altering the one block and re-inking
A relief print made from an image cut in a piece of wood The surface of the wood that remains after carving, is inked and transferred to paper Woodcuts are often identified by thick, bold lines
A type of relief print made from an image that is left raised on a block of wood The print can be made with either oil- or water-based ink, and the printing can be done by a press or by a hand tool
A relief printmaking method The design is cut with a knife or v-shaped gouge into plank wood with the grain Chisels and gouges are used to remove large areas of background and ink is then applied to the raised surfaces Historically the oldest printmaking method See woodblock, linocut, and block print
- the design is drawn directly onto the surface of a wooden block and then the parts that are to appear white are cut away with a knife or graver The remaining surface is then covered with ink and the block and then pressed onto paper
A relief technique, like the linocut, in which color is applied to the raised areas instead of the areas that have been carved away In this process, the artist carves a design into a block of wood and then inks the areas that have not been cut away In the resulting prints, the ink often retains the texture of the woodgrain The woodcut technique originated in China and has a strong tradition in Japan The Norwegian artist Edvard Munch, known for his painting The Scream, helped revitalize the technique in Europe at the end of the 19th Century In contemporary art, Helen Frankenthaler's color woodcuts are considered among her strongest works For color woodcut, see Frankenthaler, Tales of Genji II, IV & VI
The earliest and most enduring print technique While woodcuts were first seen in ninth-century China, Western artists have made woodcut prints for hundreds of years, perhaps most notably in the sixteenth and the late nineteenth and early twentieth centuries
A method of printing in which the image is carved into a flat, wooden surface, preferably a soft wood like bass The surface is inked with a roller and printed with a barren or an intaglio press
n 1 An artistic process by which a design is carved into a block of wood, coated with ink, and used to create prints 2 Artwork made from such a process
A method of relief printing in which wood is the printing element The artist's design is either drawn directly on the block of wood or on a sheet of paper that is adhered to its surface A variety of cutting tools can be used to carve away the non-printing areas When finished, the image will appear as a network of lines and shapes standing out in relief, which are then inked and printed