overtones

English - Turkish

Definition of overtones in English Turkish dictionary: ima
overtone: ima edilen fikir
overtone: implication
overtone: ahenk sesi
Overtone: (Muzik) üst ton
contain/have overtones: izleri taşımak, -de ... izleri/havası olmak: This story has political overtones. Bu hikâyede siyasi bir hava var
overtone: (Muzik) Doguşkan, doğuşkanlar
Bir ses kendi içinde bir cok doğuşkan barındırır, başka bir deyişle bir ses alt ve üst doğuşkanların birleşiminden oluşur.
overtone: (Muzik) Üst ton; bir sesin kendine özgü notası dışında çıkardığı armonik ses
contain overtones: izleri olmak
contain overtones: havası olmak
contain overtones: izleri taşımak
overtone: {i} ardında yatan anlam
overtone: {i} ikinci plândaki renk
overtone: göze batan ton/yüksek ton
overtone: armonik seslerden biri
overtone: {i} armonik ses
overtone: boyalı bir yüzeyin yansıttığı ışığın rengi

English - English

Definition of overtones in English English dictionary: – any resonant frequency higher than the fundamental frequency of a system; All pure tone components above the fundamental frequency; The almost inaudible higher tones which occur with the fundamental tone They are the result of the vibration of small sections of a string (instrument) or a column of air Other general terms for overtones are partials and harmonics; Upper partials or all components of a tone except the fundamental; plural of overtone
overtone: An implicit meaning, as opposed to a hidden meaning or undertone
overtone: a harmonic
overtone: Acoustics
overtone: One of the harmonics faintly heard with and above a tone as it dies away, produced by some aliquot portion of the vibrating sting or column of air which yields the fundamental tone; one of the natural harmonic scale of tones, as the octave, twelfth, fifteenth, etc
overtone: an aliquot or "partial" tone; a harmonic
overtone: A secondary tone, weaker than a fundamental tone, having a frequency that is a multiple of the frequency of the fundamental See Section 1 6
overtone: Similar in concept to a harmonic Overtones are tones produced by an instrument (or sound source) that are higher in frequency than the fundamental They may or may not coincide with the frequencies of a harmonic series (harmonics), but they usually do The difference is that harmonics are always musically related to the fundamental in that they are integer multiples of it Overtones of a sound are often exactly the same as its harmonics except the first overtone is considered the second harmonic because the first harmonic is the fundamental Overtones are also sometimes called partials
overtone: If something has overtones of a particular thing or quality, it suggests that thing or quality but does not openly express it. It's a quite profound story, with powerful religious overtones. In acoustics, a faint higher tone contained within almost any musical tone. A body producing a musical pitch such as a taut string or a column of air within the tubular body of a wind instrument vibrates not only as a unit but simultaneously also in sections, resulting in the presence of a series of overtones within the fundamental tone (i.e., the one identified as the actual pitch). Harmonics are a series of overtones resulting when the partial vibrations are of equal sections (e.g., halves, thirds, fourths). Partials are nonharmonic overtones that is, tones the frequencies of which lie outside the harmonic series. Overtones contribute greatly to the timbre of a given sound source, even though few listeners are aware of hearing any pitch except the fundamental. There are a few rare examples of the human voice creating overtones, notably in the chants of the Tibetan monks and the songs of the Tuvan throat singers. The latter can sometimes produce two overtones
overtone: the frequencies above the fundamental frequency of a pitch Timbre is defined by the particular emphasis or absence of certain overtones
overtone: A mode of vibration (or, a component of a sound) with a frequency greater than the fundamental frequency
overtone: A whole-number multiple of the fundamental frequency
overtone: Of a sinusoidal wave, an integral multiple of the frequency, i e , the fundamental, of the wave, other than the fundamental itself Note 1: The first overtone is twice the frequency of the fundamental, and thus corresponds to the second harmonic; the second overtone is three times the frequency of the fundamental, and thus corresponds to the third harmonic, etc Note 2: Use of the term overtone is generally confined to acoustic waves, especially in applications related to music Contrast with fundamental, harmonic
overtone: A tone whose frequency is an integer multiple of another; a harmonic
overtone: The subtle, usually imperceptible pitches that sound at various intervals above the fundamental frequency
overtone: An implicit meaning, especially an ulterior one
overtone: The almost inaudible higher tones which occur with the fundamental tone They are the result of the vibration of small sections of a string (instrument) or a column of air Other general terms for overtones are partials and harmonics
overtone: a harmonic with a frequency that is a multiple of the fundamental frequency (usually plural) an ulterior implicit meaning or quality; "overtones of despair
overtone: (usually plural) an ulterior implicit meaning or quality; "overtones of despair"
overtone: a harmonic with a frequency that is a multiple of the fundamental frequency
overtone: an aliquot or "partial"
overtone: In general, a harmonic
overtone: tone; a harmonic
overtone: See Harmonic, and Tone
overtone: {i} harmonic, secondary tone which is higher than the primary or fundamental tone (Music); something which is subtly suggested, subtle implication, connotation
overtone: A tone that is present in the sounding of a fundamental, due to the physics of the production of musical tones
overtone: A whole-number multiple of the fundamental frequency of a tone The overtones define the harmonic spectrum of a sound See Fourier analysis, partial
overtone: (aka overblow, toot, hoot) - the trumpet-like note produced by tighter lip tension and characteristic of B-type accompaniments