(Askeri) yasa koruma açısından hassas; miras ve kazanç beyanı; Lincoln Laboratuvarları Deney Uydusu (law enforcement sensitive; leave and earnings statement; Lincoln Laboratories Experimental Satellite)
LAN Emulation Server: This implements the control coordination function for the Emulated LAN, examples are enabling a LEC to join an ELAN, resolving MAC to ATM addresses
In the modeling of fluid turbulence, this is an abbreviation for Large Eddy Simulation, a technique in which eddies above a certain size are directly simulated and the effects of those of smaller size are parameterized in terms of some variable at the larger scale
orig. Lester Polfus born June 9, 1915, Waukesha, Wis., U.S. U.S. guitarist and inventor. He played many styles of popular music, initially country but later jazz, and in the 1940s he was a sideman for Nat King Cole and Bing Crosby. He invented the first solid-body electric guitar and was instrumental in developing modern multitrack recording. His overdubbed, sped-up recordings from the late 1940s and early 1950s including "Brazil" (1948), "Nola" (1950), and "How High the Moon" (1951), often with his wife, Mary Ford (1924-77) singing multiple harmony parts demonstrated the potential of tape. He continued to perform occasionally into his 80s
(French; "The Six") Group of young French composers in the 1920s. Named by the critic Henri Collet (1885-1951), the group was made up of Arthur Honegger, Darius Milhaud, Francis Poulenc, Georges Auric (1899-1983), Louis Durey (1888-1979), and Germaine Tailleferre (1892-1983). Their music represents a strong reaction against German Romanticism, as well as against the lush style sometimes termed Impressionism, exemplified by the work of Claude Debussy. Most of Les Six were inspired by the iconoclastic music of Erik Satie, and they benefited from the promotion of Jean Cocteau. They were only active as a group for a few years
v. or Les XX (French; The Twenty) Group of Symbolist artists, including James Ensor, Fernand Khnopff, and Henry van de Velde, who exhibited in Belgium during 1891-93. Belgian Symbolist painting employed simplified forms, heavy outlines, a subjective use of colour, and a heightened spiritual content inspired by religious, exotic, and "primitive" cultures. The styles of various members of Les Vingt eventually merged into the new Art Nouveau style