Johan Jonaton Björling Karl Johan Huizinga Johan Ibsen Henrik Johan Johan Maurits van Nassau Oldenbarnevelt Johan van Runeberg Johan Ludvig Johan Julius Christian Sibelius Strindberg Johan August
born Jan. 22, 1849, Stockholm, Swed. died May 14, 1912, Stockholm Swedish playwright and novelist. While working as a journalist, he wrote the historical drama Mäster Olof (1872); though rejected by the national theatre and not produced until 1890, it is now considered the first modern Swedish drama. He won fame with his novel The Red Room (1879), which satirized the Stockholm art world. His unhappy life included three marriages and episodes of mental instability. In his most creative period he moved restlessly around Europe for six years, writing his three major plays: The Father (1887), Miss Julie (1888), and The Creditors (1890). These iconoclastic works portrayed the battle of the sexes using a combination of dramatic naturalism and psychology. During this period he also wrote three novels. After a mental breakdown he experienced a religious conversion that inspired symbolic dramas such as The Dance of Death (1901), A Dream Play (1902), and five "chamber plays," including The Ghost Sonata (1907)
born Dec. 7, 1872, Groningen, Neth. died Feb. 1, 1945, De Steeg Dutch historian. He was professor of history at Groningen (1905-15) and then at Leiden until 1942, when he was held as a hostage by the Nazis; he remained under open arrest until his death. His first studies dealt with Indian literature and cultures, but he became internationally recognized for The Waning of the Middle Ages (1919), a lively examination of life in France and Holland in the 14th-15th centuries
born Feb. 5, 1804, Jakobstad, Swedish Finland died May 6, 1877, Borgå, Russian Finland Finnish poet who wrote in Swedish. During an interruption in his academic career, he became a tutor at a country estate, where he encountered Finland's landscape and tales of the heroic past. His works, combining classicism with Romantic feeling and an understanding of peasant life and character, include the epic poems The Moose Hunters (1832) and Hanna (1836), which won him a place in Swedish letters; and Kung Fjalar, a cycle of romances derived from old legends. His patriotic poem "Our Country," from Tales of Ensign Stål (1848, 1860), became the Finnish national anthem. Runeberg is considered Finland's national poet
born Sept. 14, 1547, Amersfoort, Spanish Netherlands died May 13, 1619, The Hague, Neth. Dutch statesman and a founding father of Dutch independence. A lawyer in the province of Holland, he helped William I negotiate the Union of Utrecht (1579). Appointed "great pensionary" of Holland, he mobilized Dutch resources for the military goals of Maurice of Nassau. As foreign secretary of the Union's seven provinces, he negotiated a triple alliance with France and England against Spain (1596). He later concluded the Twelve Years' Truce with Spain (1609), which reaffirmed Holland's dominant role in the republic. In 1617 he sided with the moderate Arminians in religious strife against the stricter Calvinists (known as Counter-Remonstrants) and Prince Maurice; he was arrested in 1618, convicted of religious subversion, and beheaded
born March 20, 1828, Skien, Nor. died May 23, 1906, Kristiania Norwegian playwright. At age 23 he became theatre director and resident playwright of the new National Theatre at Bergen, charged with creating a "national drama." He directed the Norwegian Theatre in Kristiana from 1857 to 1863, when the theatre went bankrupt. He then set off on extended travels in Europe, beginning a self-imposed exile that would last until 1891. In Italy he wrote the troubling moral tragedy Brand (1866) and the buoyant Peer Gynt (1867). After the satire Pillars of Society (1877) he found his voice and an international audience with powerful studies of middle-class morality in A Doll's House (1879), Ghosts (1881), An Enemy of the People (1882), The Wild Duck (1884), and Rosmersholm (1886). His more symbolic plays, most of them written after his return to Norway in 1891, include Hedda Gabler (1890), The Master Builder (1892), Little Eyolf (1894), and When We Dead Awaken (1899). Emphasizing character over plot, Ibsen addressed social problems such as political corruption and the changing role of women as well as psychological conflicts stemming from frustrated love and destructive family relationships. He greatly influenced European theatre and is regarded as the founder of modern prose drama