füg icra etmek

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Turkish - English
fugue
A contrapuntal piece of music wherein a particular melody is played in a number of voices, each voice introduced in turn by playing the melody
{n} chase in music, or succession in the parts
A polyphonic composition, generally for two to four voices (vocal or instrumental), in which the same themes are passed from voice to voice and combined in counterpoint
{i} type of musical composition
the interweaving of specific voices of melody to create a piece of music strongly characterised by imitation
The theme is first given out by one voice or part, and then, while that pursues its way, it is repeated by another at the interval of a fifth or fourth, and so on, until all the parts have answered one by one, continuing their several melodies and interweaving them in one complex progressive whole, in which the theme is often lost and reappears
A piece, or a movement of a piece, written in complex imitative polyphony Fugues, popular especially during the baroque era, are usually keyboard works Each line of the fugue is called a voice, even though they are not written for the human voice We can talk about fugues in terms of the number of voices they have--a "three-voice fugue" or a "four-voice fugue" or even a "five-voice fugue "
A polyphonic composition with one or more short themes introduced first by a one voice and repeated by other voices in turn All this happening with hamonization ocoording to the rule of the counterpoint [back]
A fugue is a piece of music that begins with a simple tune which is then repeated by other voices or instrumental parts with small variations. a piece of music with a tune that is repeated regularly in different keys by different voices or instruments (fuga , from fugere; FUGITIVE). Musical composition characterized by systematic imitation of one or more themes in counterpoint. Fugues vary greatly in their actual form. The principal theme (subject) is imitated i.e., repeated successively in similar form at different pitch levels by different parts or voices in the so-called exposition. The countersubject is the continuation of the subject that accompanies the subject theme's subsequent entries in the other voices. Episodes using modified themes often separate the subject's entries. The fugue emerged gradually from the imitative polyphony of the 13th century. Johann Sebastian Bach's keyboard fugues are the most famous of all. The works of Bach and George Frideric Handel inspired the later fugues of Wolfgang Amadeus Mozart, Ludwig van Beethoven, and others, many of whom commonly included fugues in the final movements of symphonies, string quartets, and sonatas
"Flight " A contrapuntal piece, in which two or more parts are built or "layered" on a recurring subject that is introduced alone, and followed by an answer, which is the subject (or theme) at a different pitch, usually the fifth
A form in which a theme or subject played by one instrument or voice is followed and imitated by one or more other instruments or voices
imitative polyphonic composition
dissociative disorder in which a person forgets who who they are and leaves home to creates a new life; during the fugue there is no memory of the former life; after recovering there is no memory for events during the dissociative state
a musical composition, in counterpoint, in which one or two melodies are repeated by successively entering voices The voices are interwoven and the melodies are developed into a well-defined single structure with a strong character or unifying idea
a musical form consisting of a theme repeated a fifth above or a fourth below its first statement
A musical composition or technique in which the composer introduces a tune (the theme) while other voices enter at different times playing the same theme on higher and lower pitches Fugues are usually written for two to four voices Bach wrote some of the greatest fugues See counterpoint and polyphony
A fugue is a piece of music, contrapuntal in character, which is based on imitation It follows certain rules and usually involves three or four strands' though there can be more Sometimes these are called voices' even though they are played A fugue starts with the main theme called the subject and this is followed by the second voice playing the answer (this is the subject transposed up a fifth or down a fourth) This is followed by another statement of the subject, and, if there are four voices, another playing of the answer This part of the fugue is called the exposition, and the tonic and dominant keys are used
(Italian): a composition written for three or more musical lines, or voices Each voice has similar music, but they enter at different times, creating counterpoint with one another
a musical form consisting of a theme repeated a fifth above or a fourth below its first statement a dreamlike state of altered consciousness that may last for hours or days dissociative disorder in which a person forgets who who they are and leaves home to creates a new life; during the fugue there is no memory of the former life; after recovering there is no memory for events during the dissociative state
A polyphonic composition, developed from a given theme or themes, according to strict contrapuntal rules
füg icra etmek
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