Short, usually pastoral, poem in the form of a dialogue or soliloquy (see pastoral). The eclogue as a pastoral form first appeared in the idylls of Theocritus, was adopted by Virgil, and was revived in the Renaissance by Dante, Petrarch, and Boccaccio. Edmund Spenser's Shepheardes Calender, a series of 12 eclogues, was the first outstanding pastoral poem in English. Eighteenth-century English poets used the eclogue for ironic verse on nonpastoral subjects. Since then a distinction has been made between eclogue and pastoral, with eclogue referring only to the dialogue or soliloquy form
a brief pastoral poem, set in an idyllic rural place but discussing urban, court, political, or social issues Bucolics and idylls, like eclogues, are pastoral poems in non-dramatic form Examples are Alexander Barclay's Eclogues, Edmund Spenser's Shepherds Calendar, Jonathan Swift's "A Town Eclogue," and Andrew Marvell's "Nymph Complaining for the Death of her Fawn "
A pastoral poem, in which shepherds are introduced conversing with each other; a bucolic; an idyl; as, the Ecloques of Virgil, from which the modern usage of the word has been established
[ 'ek-"log, -"läg ] (noun.) 15th century. Middle English eclog, from Latin Eclogae, title of Virgil's pastorals, literally, selections, plural of ecloga, from Greek eklogE, from eklegein to select.