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İlgili Terimler

fautore della monogamia
tek eşli kimse
giorno della nascita
doğum günü
İngilizce - İngilizce
A female given name that first appeared in the nineteenth century; possibly a variant of Adela or Delia
that first appeared in the nineteenth century; possibly a variant of Adela or Delia
Baccio della Porta Giacomo Della Chiesa Della Robbia family Jacopo della Quercia Giuliano della Rovere Andrea di Pietro della Gondola Pico della Mirandola Giovanni conte count di Concordia Piero della Francesca Francesco della Rovere

İlgili Terimler

Della Robbia family
Family of Italian artists active in Florence. The first works of Luca (di Simone di Marco) Della Robbia (1399/1400-1482) were reliefs sculptured in marble, most notably those for the Cantoria (singing-gallery) of Florence Cathedral (1432-37). He is remembered mainly for his development of glazed terra-cotta as a medium for sculpture; his major terra-cotta works include roundels of the Apostles ( 1444) in Filippo Brunelleschi's Pazzi Chapel in Santa Croce. In time the Della Robbia studio became a potters' workshop-industry, famous especially for its renderings of the Madonna and Child in white enamel on a blue ground. Andrea (di Marco) Della Robbia (1435-1525), Luca's nephew, assumed control of the workshop 1470. Trained as a marble sculptor, his best-known works are ten roundels of infants on the facade of Florence's Foundling Hospital ( 1487). Giovanni Della Robbia (1469-1529), the most distinguished of Andrea's sons, took control of the family workshop after his father's death. His early works, notably a lavabo in Santa Maria Novella (1497) and medallions in the Loggia of San Paolo (1493-95), were collaborations with his father
della crusca
A shortened form of Accademia della Crusca, an academy in Florence, Italy, founded in the 16th century, especially for conserving the purity of the Italian language
Giovanni conte count di Concordia Pico della Mirandola
born Feb. 24, 1463, Mirandola, duchy of Ferrara died Nov. 17, 1494, Florence Italian scholar, philosopher, and humanist. He settled in Florence in 1484 as a protégé of Lorenzo de' Medici and Marsilio Ficino. In 1486 he posted in Rome a list of 900 theses on logic, mathematics, physics, and other subjects that he proposed to defend against any opponent. His Oration on the Dignity of Man (1486), which accompanied the posting, epitomizes Renaissance humanism. Accused of heresy by the pope, he was later cleared, and he was later reconverted to orthodoxy by Girolamo Savonarola. Pico was the first Christian scholar to use Kabbalistic doctrine (see Kabbala) in support of Christian theology. His other works include Heptaplus (a seven-point exposition of the Book of Genesis) and a synoptic treatment of Plato and Aristotle, of which Of Being and Unity is a portion. He died at age 31
Giovanni conte di Concordia Pico della Mirandola
born Feb. 24, 1463, Mirandola, duchy of Ferrara died Nov. 17, 1494, Florence Italian scholar, philosopher, and humanist. He settled in Florence in 1484 as a protégé of Lorenzo de' Medici and Marsilio Ficino. In 1486 he posted in Rome a list of 900 theses on logic, mathematics, physics, and other subjects that he proposed to defend against any opponent. His Oration on the Dignity of Man (1486), which accompanied the posting, epitomizes Renaissance humanism. Accused of heresy by the pope, he was later cleared, and he was later reconverted to orthodoxy by Girolamo Savonarola. Pico was the first Christian scholar to use Kabbalistic doctrine (see Kabbala) in support of Christian theology. His other works include Heptaplus (a seven-point exposition of the Book of Genesis) and a synoptic treatment of Plato and Aristotle, of which Of Being and Unity is a portion. He died at age 31
Jacopo della Quercia
orig. Jacopo di Piero di Angelo born 1374, Siena died Oct. 20, 1438, Bologna, Papal States Italian sculptor active in Siena. He was the son of a goldsmith and wood carver. His earliest major work is the tomb of Ilaria del Carretto in Lucca Cathedral ( 1406-08). His most important commission for Siena was the fountain known as Fonte Gaia (1408-19) in the Piazza del Campo. He worked with Donatello and Lorenzo Ghiberti on reliefs for the baptismal font in the Baptistery in Siena (1417-30). His last and greatest work was the sculptural reliefs around the portal of San Petronio in Bologna (1425-30). In 1435 he was appointed supervising architect of Siena Cathedral. He elevated Sienese sculpture to a place of prominence and influenced subsequent Sienese painters. The greatest non-Florentine sculptor of the 15th century, he was a major influence on the young Michelangelo
Piero della Francesca
born 1420, Sansepolcro?, Republic of Florence died Oct. 12, 1492, Sansepolcro Italian painter. Son of a prosperous tanner and wool merchant, he became known for his serene, disciplined exploration of perspective. His fresco cycle for San Francesco at Arezzo, The Legend of the True Cross (1450s), exemplifies his simplicity and clarity of structure, controlled use of perspective, and aura of serenity. His famous diptych portrait of his patrons, Count Federico da Montefeltro and his wife ( 1470), is known for its unidealized depiction of their features and the use of landscape in the background. Though he had little influence on his contemporaries, Piero's important scientific and poetic contributions to Renaissance painting are now well recognized. Also a writer, he produced theoretical treatises on geometry and perspective
Piero della Francesca
{i} Piero (~1420?-1492), early Renaissance Italian painter
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