rima

listen to the pronunciation of rima
Englisch - Türkisch
(Tıp) (rimae). Çatlak, yarık, aralık
Türkisch - Türkisch

Definition von rima im Türkisch Türkisch wörterbuch

Relevante Übersetzungen

RİMA
(Osmanlı Dönemi) Atışmak
RİMA
(Osmanlı Dönemi) Atmak
RİMA
(Osmanlı Dönemi) Bırakmak
Englisch - Englisch
A crack or fissure on a lunar or planetary surface; a rille

Look for three prominent interior craters, as well as an ancient rima falling near the shadow's edge.

A cleft or gap between two symmetrical parts, particularly between the vocal folds
{i} female first name
A narrow and elongated aperture; a cleft; a fissure
a narrow elongated opening or fissure between two symmetrical parts
{i} narrow and extended aperture; slit; fissure; cleft

Relevante Übersetzungen

rima glottidis
the space between the two true vocal folds
rima vestibuli
the opening between the false vocal folds
terza rima
A type of poem with verses of three lines and a rhyme scheme: aba bcb cdc
ottava rima
It was used by Byron in "Don Juan," by Keats in "Isabella," by Shelley in "The Witch of Atlas," etc
ottava rima
by Shelley in "The Witch of Atlas,"
ottava rima
a stanza of eight lines of heroic verse with the rhyme scheme abababcc
ottava rima
A stanza of eight lines of heroic verse, with three rhymes, the first six lines rhyming alternately and the last two forming a couplet
ottava rima
It was used by Byron in "Don Juan,"
ottava rima
Italian stanza form composed of eight 11-syllable lines, rhyming abababcc. It originated in the late 13th and early 14th centuries and was established by Giovanni Boccaccio as the standard form for Italian epic and narrative verse. When the form appeared in English, the lines were shortened to 10 syllables. In the 17th-18th century, English ottava rima was written in iambic pentameter and used for heroic poetry. Notably effective in Lord Byron's Beppo (1818) and Don Juan (1819-24), it was also used by Edmund Spenser, John Milton, John Keats, Percy B. Shelley, Robert Browning, and William Butler Yeats
ottava rima
by Keats in "Isabella,"
terza rima
a verse form with a rhyme scheme: aba bcb cdc, etc
terza rima
A verse form consisting of tercets, usually in iambic pentameter in English poetry, with a chain or interlocking rhyme scheme, as: aba, bcb, cdc, etc The pattern concludes with a separate line added at the end of the poem (or each part) rhyming with the second line of the preceding tercet or with a rhyming couplet, as in Shelley's "Ode to the West Wind " Sidelight: The rhyme sound which carries from the middle line of each tercet to the opening line of the next tercet provides a strong sense of forward movement to the terza rima
terza rima
Verse form consisting of tercets, or three-line stanzas, in which the second line of each rhymes with the first and third lines of the next. The series ends with a separate line that rhymes with the second line of the last stanza, so that the rhyme scheme is aba, bcb, cdc, ..., yzy, z. Dante, in The Divine Comedy ( 1310-14), was the first to use terza rima in a long poem. A demanding form, it has not been widely adopted in languages less rich in rhymes than Italian. It was introduced into England by Thomas Wyat in the 16th century. Poets who have experimented with terza rima include Percy B. Shelley, Robert Browning, Elizabeth Barrett Browning, and W.H. Auden; Derek Walcott's book-length Omeros is written in modified terza rima
terza rima
An interlocking three-line rhyme scheme: aba, bcb, cdc, ded, and so on Dante’s The Divine Comedy and Frost’s "Acquainted with the Night" are written in terza rima See also rhyme, tercet
terza rima
Tercets or groups of three poetic lines with interlocking rhymes: aba, bcb, cdc, etc The form was employed by Dante Alighieri in his Divine Comedy
terza rima
A three-line stanza form with interlocking rhymes that move from one stanza to the next The typical pattern is ABA, BCB, CDC, DED, and so on Dante chose terza rima's tripartite structure as the basic poetic unit of his trilogy, The Divine Comedy
terza rima
A peculiar and complicated system of versification, borrowed by the early Italian poets from the Troubadours
terza rima
A type of poetry consisting of 10- or 11-syllable lines arranged in three-line “tercets” with the rhyme scheme aba bcb cdc, etc The poet Dante is credited with inventing terza rima, which he used in his Divine Comedy Terza rima was borrowed into English by Chaucer, and it has been used by many English poets, including Milton, Shelley, and Auden
terza rima
a verse form consisting of three-line stanzas in which the second line of each rhymes with the first and third of the next Close Window
terza rima
an Italian stanzaic form, used by Dante in his Divina Commedia, consisting of tercets with interwoven rhymes, aba bcb dcd efe and a concluding couplet rhyming with the penultimate line of the last tercet The original Italian form was iambic pentameter, plus one syllable Examples in English are Sir Thomas Wyatt's "Of the Mean and the Sure Estate Written to John Poins," Percy Bysshe Shelley's "Ode to the West Wind," and Robert Browning's "The Statue and the Bust "
rima
Favoriten
Mehr...
Löschen