paolo

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A male given name of Italian origin. English equivalent: Paul
Giovanni di Paolo di Grazia Pannini Giovanni Paolo Giovanni Paolo Panini Pasolini Pier Paolo Sarpi Paolo Soleri Paolo Uccello Paolo Paolo di Dono Veronese Paolo Paolo Caliari
An old Italian silver coin, worth about ten cents

Relevante Übersetzungen

Paolo Sarpi
born Aug. 14, 1552, Venice died Jan. 14, 1623, Venice Italian patriot, scholar, and state theologian. At age 20 Sarpi became court theologian to the duke of Mantua, a post that gave him leisure to study Greek, Hebrew, mathematics, anatomy, and botany. Later, as consultor to the government, he incurred the wrath of Pope Paul V by supporting Venice's right to restrict church construction in the city and to try priests accused of crimes unrelated to religion (e.g., murder) in the state's courts. His History of the Council of Trent (1619), an important work decrying papal absolutism, was published under a pseudonym; though placed on the Index librorum prohibitorum, it went through several editions and five translations in 10 years
Paolo Soleri
born June 21, 1919, Turin, Italy Italian-born U.S. architect. After receiving a doctorate from Turin Polytechnic, he worked under Frank Lloyd Wright in Arizona (1947-49). In 1959 he began to draw up plans for a series of compact urban centres that would extend vertically into space rather than horizontally along the ground. These megastructures were designed to conserve energy and resources (partly through reliance on solar energy and elimination of automobile use within the city), preserve natural surroundings, and condense human activities within integrated total environments. Soleri coined the term arcology (from "architecture" and "ecology") to describe his utopian constructions, which he delineated in drawings of great beauty and imagination. In 1970 he began constructing a prototype town called Arcosanti, for a population of 5,000, between Phoenix and Flagstaff, Ariz. The work, by students and volunteers, is still in progress
Paolo Uccello
orig. Paolo di Dono born 1397, Pratovecchio, near Florence died Dec. 10, 1475, Florence Italian painter. Though apprenticed to the sculptor Lorenzo Ghiberti, he is not known to have worked in sculpture, and at 18 he was admitted to the painters' guild in Florence. The Deluge, one of his frescoes in the Chiostro Verde of Santa Maria Novella, demonstrates his intense study of perspective. He became so firmly identified with perspective that John Ruskin thought he had invented it. His three panels depicting the Battle of San Romano, like all the extant works of his mature years, combine the decorative late Gothic style with the new heroic style of the early Renaissance
Paolo Veronese
v. orig. Paolo Caliari born 1528, Verona, Republic of Venice died April 9, 1588, Venice Italian painter. Son of a stonecutter from Verona, he was apprenticed at 13 to a painter. After 1553, when he received the first of many commissions in Venice, he became a major painter of the 16th-century Venetian school, a group of Renaissance artists known for their splendid use of colour and pageantlike compositions. His first works in Venice, ceiling paintings for the Doges' Palace, employ skillful foreshortenings that make figures appear to be floating in space. He decorated the villas and palaces of the Venetian nobility and received many commissions for frescoes, altarpieces, and devotional paintings, including numerous "suppers" (e.g., The Pilgrims of Emmaus and Feast in the House of the Pharisees) that allowed him to compose large groups of figures in complex Renaissance architectural settings. In decorating a villa built by Andrea Palladio at Maser ( 1561), he brilliantly interpreted its architectural structure, breaking through the walls with illusionistic landscapes and opening the ceilings to blue skies with figures from Classical mythology. Whimsical details in his Last Supper (commissioned 1573) caused him to be summoned before the Inquisition. Painters from the 16th century on were inspired by his use of colour to express exuberance as well as to model form
Giovanni Paolo Pannini
or Giovanni Paolo Panini born 1691, Piacenza, Duchy of Parma and Piacenza died 1765, Rome Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Académie Française in 1732 and became its professor of perspective
Giovanni di Paolo
born 1403, Siena, Republic of Siena died 1482, Siena Italian painter active in Siena. A prolific artist, he produced his most characteristic works from the 1440s, notably the monumental altarpiece The Presentation of Christ in the Temple (1447-49), 12 scenes from the life of St. John the Baptist, and a Madonna (1463) altarpiece in Pienza Cathedral. He also painted countless other religious panels. His tormented spirituality and expressionistic style were little appreciated until his reputation was revived in the 20th century
Giovanni di Paolo di Grazia
born 1403, Siena, Republic of Siena died 1482, Siena Italian painter active in Siena. A prolific artist, he produced his most characteristic works from the 1440s, notably the monumental altarpiece The Presentation of Christ in the Temple (1447-49), 12 scenes from the life of St. John the Baptist, and a Madonna (1463) altarpiece in Pienza Cathedral. He also painted countless other religious panels. His tormented spirituality and expressionistic style were little appreciated until his reputation was revived in the 20th century
Pier Paolo Pasolini
an Italian film director, poet, and writer, who was murdered on a beach near Rome. He used his films, which include Oedipus Rex (1967) and Medea (1970), to criticize society (1922-75). born March 5, 1922, Bologna, Italy died Nov. 2, 1975, Ostia, near Rome Italian film director, poet, and novelist. He wrote novels about Rome's slum life as well as a significant body of poetry. Pasolini became a screenwriter in the mid-1950s, collaborating most notably on Federico Fellini's Nights of Cabiria (1956). His directorial debut, Accattone (1961), was based on his novel A Violent Life (1959). His best-known film, stylistically unorthodox and implicitly radical, is perhaps The Gospel According to Saint Matthew (1964). Later films include Oedipus Rex (1967), Teorema (1968), Medea (1969), The Canterbury Tales (1972), and The Arabian Nights (1974), which won a special jury prize at Cannes. His use of eroticism, violence, and depravity were criticized by Italian religious authorities
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