A raised effect created when heat or cold pressure is used to impress a design into wallpaper Best used when installing over imperfect wall conditions Never use a seam roller on this paper Because this will flatten or burnish the raised effect
The process of giving relief to paper by pressing it with a die Embossed designs are often found on the printed stamps of postal stationery (usually envelopes and wrappers) Selected stamps of certain countries have been embossed
A decorative technique in which a design is raised in relief, working with modelling tools on both hair (grain) side and flesh (inner) side
1) Manufacturing technique which imitates carving by compressing the wood around what is to be a raised, decorative area 2) (Leather) The process in which permanent artificial grain patterns are added through heat and pressure to corrected grain hides
Raising or indenting a design in relief on a sheet or strip of metal by passing between rolls of desired pattern
A process used to create a raised surface, or a raised element printed without ink End grain Block A woodblock usually boxwood, maple, cherry, or other fruitwood, cut across the grain and used for wood engraving top
Initialization of a plastic card by forming characters with a male and female die combination such that the entire plastic substrate is raised in the shape of visible characters The resulting raised characters can transfer their images to a paper form by the use of an imprinter
A calendering process for producing raised or projected figures or designs in relief on fabric surfaces Usually produced on fabrics by engraved, heated rollers that give a raised effect
The process of raising, by an uninked block, letters or designs on card or strong paper
The process of printing data, in the form of raised characters, on the bankcard Provides identification of the card and allows the imprinting of sales drafts
A non-color technique that causes raised areas on the surface of a print See Roy Lichtenstein, Reflections on Conversation
An inkless process that can use multiple techniques--e g etching, stamping, carving, or casting--to create the matrix The paper is subsequently forced into the matrix, often using a press, in order to create three-dimensional effects