jokes or funny stories that deal with the unpleasant parts of human life. Humour marked by the use of morbid, ironic, or grotesquely comic episodes that ridicule human folly. The term came into common use in the 1960s to describe the work of novelists such as Joseph Heller, whose Catch-22 (1961) is an outstanding example; Kurt Vonnegut, particularly in Slaughterhouse Five (1969); and Thomas Pynchon, in V (1963) and Gravity's Rainbow (1973). A film exemplar is Stanley Kubrick's Dr. Strangelove (1963). The term black comedy has been applied to some playwrights in the Theatre of the Absurd, especially Eugène Ionesco
the juxtaposition of morbid and farcical elements (in writing or drama) to give a disturbing effect
black humour
Heceleme
black hu·mour
Telaffuz
Etimoloji
[ 'blak ] (adjective.) before 12th century. Middle English blak, from Old English blæc; akin to Old High German blah black, and probably to Latin flagrare to burn, Greek phlegein.