the blues

listen to the pronunciation of the blues
الإنجليزية - التركية
müz. bir çeşit caz müziği
{i} can sıkıntısı
(isim) can sıkıntısı
blues
{i} hüzün
the blue
şiir
blues
(Bilgisayar) maviler
blues
efkar

Ben sık sık efkarlanırım. - I often get the blues.

blues
(Bilgisayar) mavi

Bunlar şimdiye kadar gördüğüm en mavi yaban mersinidir. Onlar neredeyse doğal olmayan mavidir. - These are the bluest blueberries I have ever seen. They're almost unnaturally blue.

blues
blues
blues
keder
blues
efkâr

Ben sık sık efkarlanırım. - I often get the blues.

blues
hüzünlü müzik
blues
{i} caz
blues
blues/üzüntü
blues
{i} bunalım
the blue
deniz

Mavi gök, denize yansıyor. - The blue sky is reflected in the sea.

Mavi balina en büyük deniz memelisi olup, dünyadaki de en büyük memelidir. - The blue whale is the largest marine mammal, and the largest mammal on earth.

the blue
gök

Mavi kuş gökyüzünü sırtında taşır. - The bluebird carries the sky on his back.

Beni etkileyen şey mavi gökyüzüdür. - What impressed me was the blue sky.

the blue
mavilik
the blue
gök, sema
الإنجليزية - الإنجليزية
{i} sorrow, sadness; sad songs of black Americans
blues
One's particular life experience, particularly including the hardships one has faced

Your blues are just like mine.

blues
Third-person singular simple present indicative form of blue
blues
A uniform made principally of a blue fabric

The marched in their dress blues.

blues
plural form of blue
blues
a type of folksong that originated among Black Americans at the beginning of the 20th century; has a melancholy sound from repeated use of blue notes a state of depression; "he had a bad case of the blues
blues
Ones particular life experience, particularly including the hardships one has faced
blues
{i} state of depression, sadness, melancholy; style of syncopated jazz that originated from the early lamenting folk music of African Americans and is characterized by the repeated use of flat notes (Music)
blues
A musical form, African-American in origin, generally featuring an eight-bar or twelve-bar structure and using the blues scale
blues
Secular musical form incorporating a repeating harmonic structure with melodic emphasis on the flatted or "blue" third and seventh notes of the scale. The specific origins of the blues are not known, but elements of the music of former slaves include the call-and-response pattern and syncopated rhythms of spirituals and work songs. The codification of the structure of the blues occurred in the early 20th century, most commonly as a 12-bar phrase using the chords of the first, fourth, and fifth degrees of the major scale. Its origins as a primarily vocal form induced instrumental performers to imitate the human voice with "bent" notes. Lyric stanzas are usually in three lines, the words of the second generally repeating those of the first. The elaboration of the rural blues from Texas and the Mississippi delta established both lyric and instrumental traditions, often featuring speech-like inflection and guitar accompaniment. The bandleader W.C. Handy's compositions brought blues elements to the popular music of the first decades of the century. The first blues recordings, in the early 1920s, featured singers such as Ma Rainey and Bessie Smith using jazz accompanists; their style would become known as classic blues. The highly personal interpretations and improvisation of the blues, combined with elements of its structure and inflection, served as the foundation for jazz, rhythm and blues, and rock music
blues
A feeling of sadness or depression
blues
A musical composition following blues forms
blues
plural of blue
التركية - الإنجليزية

تعريف the blues في التركية الإنجليزية القاموس.

blues
blues
the blues

    التركية النطق

    dhi bluz

    النطق

    /ᴛʜē ˈblo͞oz/ /ðiː ˈbluːz/

    علم أصول الكلمات

    [ before consonants usually ] (definite article.) before 12th century. Middle English, from Old English thE, masc. demonstrative pronoun and definite article, alteration of sE; akin to Greek ho, masculine demonstrative pronoun and definite article; more at THAT.
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