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cubism

An artistic movement in the early 20th Century characterized by the depiction of natural forms as geometric structures of planes

A few recall that, in 1908, he inspired the coinage of the term “cubism,” in disparagement of a movement that would eclipse his leading influence on the Parisian avant-garde.

A style of art pioneered by Pablo Picasso and Georges Braque in the first decade of the 20th century, noted for the geometry of its forms, its fragmentation of the object, and its increasing abstraction

An influential, 20th-century style developed by Pablo Picasso and Georges Braque, based on the simultaneous presentation of multiple points of view

This early 20th-century French movement represented a revolutionary departure from representational art and was highly influenced by tribal art from Africa and Oceania Its leaders, Pablo Picasso and Georges Braque, used an abstract and analytical approach to stress the basic geometric forms of their subjects which were often painted from many angles simultaneously

an early 20th century art movement using a new spatial organization in which aspects of an object were depicted combining several simultaneous points of view

An art style developed by Picasso and Braque in 1908, Cubism is characterized by the artist breaking down natural forms of subjects into geometric shapes, thus creating a new kind of pictorial space Cubist work can portray the subject from multiple perspectives This is in contrast to traditional painting styles where the perspective of subjects are fixed and complete

An early 20C art movement invented by Pablo Picasso and his colleague Georges Braque Picasso was inspired by the paintings of Paul Cézanne and his discovery of African art Picasso began to apply the planar, geometric simplifications of Cézanne's forms to the study of the human figure He often incorporated references to African masks in his works

An early 20th-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones

A style of painting created by Pablo Picasso and Georges Braque in the early 20th century in which objects are portrayed as multifaceted solids that form superimposed, overlapped, and interlocked planes

an influential style of visual art in the 20th century Cubists reject traditional perspective and the time-honored theory that art is an imitation of nature Instead they depict radically fragmented objects whose several sides are seen simultaneously

an artistic movement in France beginning in 1907 that featured surfaces of geometrical planes

A movement or phase in post-impressionism (which see, below)

An art movement of the early twentieth century in which objects were interpreted in geographic planes, neutral tones and the breaking of objects into facets Associated particularly with George Braque and Pablo Picasso

a very influential 20th century art movement driven by Pablo Picasso and Georges Braque The movement attempts to break up subject matter, analyze it and reassemble it in an abstract form

{i} nonrepresentational artistic movement of the early 20th century which uses geometrical forms to represent objects

Cubism was a term coined in 1908 by Louis Vauxcelles to describe the modern art of Picasso and Braque These artists refuted traditional perspective and broke the planes of the composition into interlocking facets thereby fragmenting and disintegrating the image Close

an abstract art movement of the early 20th Century, initiated by Pablo Picasso and Georges Braque; in painting, a means of representing volume in a two-dimensional plane without resorting to the illusion of depth as usually developed within the picture space; in sculpture, in Africa, Oceania, and Alaska, cubistic form was used at much earlier dates Examples

A revolutionary art movement developed in Paris by Pablo Picasso and Georges Braque The most influential style of the twentieth century, beginning in 1907 and ending around 1914, cubism is based on the simultaneous presentation of multiple views, disintegration, and the geometric reconstruction of objects in flattened, ambiguous pictorial so space; figure and ground merge into one interwoven surface of shifting planes Colour is limited to neutrals

Early 20th-century French movement marked by a revolutionary departure from representational art Pablo Picasso and Georges Bracque penetrated the surface of objects, stressing basic abstract geometric forms that presented the object from many angles simultaneously

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nes·ne·le·ri ge·o·met·rik gös·te·ren sa·nat