alexandrine

الإنجليزية - التركية

تعريف alexandrine في الإنجليزية التركية القاموس.

(isim) mısraları on ikişer heceli şiir

{i} mısraları on ikişer heceli şiir

İskenderiyeli

oniki hecelik dize

الإنجليزية - الإنجليزية

تعريف alexandrine في الإنجليزية الإنجليزية القاموس.

An Alexandrine parrot or parakeet

A line of poetic meter having twelve syllables, usually divided into two or three equal parts

{n} an English verse of 12 syllables

a metrical line of six feet or twelve syllables (in English), originally from French heroic verse Randle Cotgrave in his 1611 French-English dictionary explains: "Alexandrin A verse of 12, or 13 sillables " In his "Essay on Criticism," Alexander Pope says, "A needless Alexandrine ends the song / That like a wounded snake, drags its slow length along" (359) Examples include Michael Drayton's "Polyolbion," Robert Bridges' "Testament of Beauty," and the last line of each stanza in Thomas Hardy's "The Convergence of the Twain "

A line of poetry that has 12 syllables The name probably comes from a medieval romance about Alexander the Great that was written in 12-syllable lines

A twelve syllable (or six feet-hexameter) iambic line

a line of verse that has six iambic feet

An iambic line of twelve syllables, or six feet, usually with a caesura after the sixth syllable It is the standard line in French poetry, comparable to the iambic pentameter line in English poetry It probably received its name from an old French romance, Alexandre le Grand, written about 1180, in which the measure was first used Sidelight: The last line of the Spenserian stanza is an Alexandrine (See Hexameter, Poulter's Measure)

{i} verse or line of poetry containing twelve-syllables

A kind of verse consisting in English of twelve syllables

Belonging to Alexandria; Alexandrian

Verse form that is the most popular measure in French poetry. It consists of a line of 12 syllables with a pause after the sixth syllable, major stresses on the sixth and the last syllable, and one secondary accent in each half line. It is a flexible form, adaptable to a wide range of subjects. It became the preeminent French verse form for dramatic and narrative poetry in the 17th century and reached its highest development in the tragedies of Pierre Corneille and Jean Racine

الواصلة

Al·ex·an·drine

التركية النطق

älıgzändrin

النطق

/ˌaləgˈzandrēn/ /ˌæləɡˈzændriːn/