تعريف alexander calder في الإنجليزية الإنجليزية القاموس.
a US sculptor famous for his large outdoor works of art found in many cities, and for his large mobiles (=decorations which move when air blows around them) (1898-1976). born July 22, 1898, Lawnton, Pa., U.S. died Nov. 11, 1976, New York, N.Y. U.S. sculptor. He was the son and grandson of sculptors, and his mother was a painter. He studied mechanical engineering, and in 1923 attended the Art Students League, where he was influenced by artists of the Ash Can school. In 1924 he contributed illustrations to the National Police Gazette. In 1926 he moved to Paris and began making toylike animals and circus figures of wood and wire; from these he developed his famous miniature circus. In the 1930s he became well known in Paris and the U.S. for his wire sculptures, as well as for portraits, continuous-line drawings, and abstract, motor-driven constructions. He is best known as the inventor of the mobile, a forerunner of kinetic sculpture. He also constructed nonmovable sculptural works known as stabiles. Although Calder's early mobiles and stabiles were relatively small, he increasingly moved toward monumentality in his later works. His art was recognized with many large-scale exhibitions
born July 22, 1898, Lawnton, Pa., U.S. died Nov. 11, 1976, New York, N.Y. U.S. sculptor. He was the son and grandson of sculptors, and his mother was a painter. He studied mechanical engineering, and in 1923 attended the Art Students League, where he was influenced by artists of the Ash Can school. In 1924 he contributed illustrations to the National Police Gazette. In 1926 he moved to Paris and began making toylike animals and circus figures of wood and wire; from these he developed his famous miniature circus. In the 1930s he became well known in Paris and the U.S. for his wire sculptures, as well as for portraits, continuous-line drawings, and abstract, motor-driven constructions. He is best known as the inventor of the mobile, a forerunner of kinetic sculpture. He also constructed nonmovable sculptural works known as stabiles. Although Calder's early mobiles and stabiles were relatively small, he increasingly moved toward monumentality in his later works. His art was recognized with many large-scale exhibitions