(isim) maskeli piyes

التركية - الإنجليزية

تعريف (isim) maskeli piyes في التركية الإنجليزية القاموس.

masque

A shortening of the word masquerade

A dramatic performance, often performed at court as a royal entertainment, consisting of dancing, dialogue, pantomime and song

Words and music written for a masque

A lavish and elaborate form of entertainment, often performed in royal courts, that emphasizes song, dance, and costumery The Renaissance form of the masque grew out of the spectacles of masked figures common in medieval England and Europe The masque reached its peak of popularity and development in seventeenth-century England, during the reigns of James I and, especially, of Charles I Ben Jonson, the most significant masque writer, also created the "antimasque," which incorporates elements of humor and the grotesque into the traditional masque and achieved greater dramatic quality Masque-like interludes appear in Edmund Spenser's The Faerie Queene and in William Shakespeare's The Tempest One of the best-known English masques is John Milton's Comus

A courtly entertainment involving acting, singing, and dancing, with music and elaborate scenery and costumes Masques reched their peak in 17th-century England, when written by Ben Jonson and designed by Innigo Jones

{i} dramatic and musical production (especially of the 16th and 17th centuries) for the entertainment of English aristocrats; (also mask)

a type of play popular in England in the 16th and 17th centuries that included music, dancing, and songs. Short dramatic entertainment performed by masked actors. It originated in the folk ceremony known as mummery (see mumming play) and evolved into elaborate court spectacles in the 16th-17th centuries. A masque presented an allegorical theme using speeches, dances, and songs, in a performance often embellished with rich costumes and spectacular scenery. The genre reached its height in 17th-century England when the court poet, Ben Jonson, collaborating with Inigo Jones on many notable masques (1605-34), gave it literary force. The masque later developed into opera

a staged performance in which music, poetry, song and dance are blended

also spelled MASK, festival or entertainment in which disguised participants offer gifts to their host and then join together for a ceremonial dance A typical masque consisted of a band of costumed and masked persons of the same sex who, accompanied by torchbearers, arrived at a social gathering to dance and converse with the guests The masque could be simply a procession of such persons introduced by a presenter, or it could be an elaborately staged show in which a brief lyrical drama heralded the appearance of masquers, who, having descended from their pageant to perform figured dances, reveled with the guests until summoned back into their pageant by farewell speeches and song The theme of the drama presented during a masque was usually mythological, allegorical, or symbolic and was designed to be complimentary to the noble or royal host of the social gathering

A mask; a masquerade

English genre of aristocratic entertainment that combined vocal and instrumental music with poetry and dance, developed during the sixteenth and seventeenth centuries

A species of drama in which music and spectacle play an important role and in which the characters tend to be or become aspects of human personality rather than independent characters

a party of guests wearing costumes and masks

A minor dramatic form combining dance, music, a short allegorical text, and elegant scenery and costuming; often presented at court, as in the royal masques written by Ben Jonson (1572-1637), with scenery designed by Inigo Jones (1573-1652), during the Stuart era (early seventeenth century)

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(i·sim) mas·ke·li pi·yes